Effects
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The first pedal I bought, way back in 1987/88. I couldn't decide between the Chorus or Flanger, so opted for the Flanger and wished I'd got the Chorus instead. Still, you can sound like Phil Lynott on Waiting For An Alibi with one of these bad boys.
Current status: not working. A-ha, this is not the case. See here. |
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Pedal number 2. Primarily bought to try to make me sound more like Sting. |
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I got this to complete the set of (the then) three Boss Bass pedals. It was a waste really as my amp had an equalizer on it, but it looked good. It was useful for boosting output during one or two songs in the Eklipse era. |
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After finding out there were two more pedals in the "Brown" series in 2025, I had to hunt them down. I was only able to find the Parametric Equalizer and the Bass Limiter (below) in Japan on eBay so they were quite pricey, especially when hammered for import tax... |
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The Bass Limiter completed the set of brown pedals. If only they'd made a brown tuner (see later). |
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This was an impulse purchase after I got back into playing bass. Would it make me sound like Lemmy? Of course not - the only thing to make you sound like Lemmy is a Rickenbacker, a Marshall stack with a specially designed head, and Lemmy. Fools and their money are easily parted.
I recently tried to get a sound out of this which I liked, and failed. |
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I think this came from my short-lived Slap phase. It was either this or a compressor and this won the day for some reason long forgotten. |
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In my quest to get rid of hum, this pedal came along. It does its job rather well. |
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After faffing around with a clip-on tuner, I decided to stop messing around and get one of these. It's great for setting the intonation on a new or modified bass. Well worth every penny, especially considering my comments about the LS-2 below.
I'm using it with Rocksmith and two amps. The Output is connected to the Rocksmith Real Tone cable, and the bypass to the Amp. |
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I found this on eBay after deciding I needed a compressor. Quite why, seeing as I have the Limiter, I don't know but Paul Gray has a compressor, so it must be worth having. |
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The LS-2. Bought upon a total misunderstanding. I believed that I could use it to get bass out of Rocksmith, the Little Mark 800 and the JCM 800 simultaneously. Mistake! The pedal allows one of the three outputs to be selected, not all three at once. I should have done some research first and realised that the TU-3 tuner will do this.
The LS-2 does work as an amp-Rocksmith splitter. Put the Real Tone cable in Send B and the amp input cable in Send A. Set the Output Select to A-B Mix Bypass and when you press the pedal you'll get bass to both outputs. The tuner is in my opinion a better option though. |
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Another eBay find. Bought primarily because a) I hadn't got one, and b) it's what Phil Lynott uses on Dancing In The Moonlight. |
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I fancied trying the bass solo from Venom's Buried Alive on fretless with this. It's going to come in handy with my new band though. |
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Bought to replace the non-working CE-2B Chorus pedal. If only I'd known I just needed a different power supply... |
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I saw a YouTube video on using reverb on bass and thought it sounded pretty good. I'm not sure how often I'll use it however. |
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I needed an Equalizer pedal for my new band to give a deeper bassier sound for a couple of Blues tracks. This fitted the bill nicely. It was of course bought before I knew about the different power supplies though, so could have used the GE-7B. |
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Another purchase made so that I didn't have to faff around with power supplies and my old BF-2B |
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I wanted a delay so I could attempt the intro to Pets by Porno For Pyros and One Of These Days by Pink Floyd. This version of the pedal seemed a no brainer as it has a looper. The looper is perfect for recording a riff and playing it through an amp/preamp to get the sound right. |
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Dear Boss, why oh why oh why dn't you make one of these beauties? One would then fit in with all my other pedals? This is a seriously useful piece of kit. Turn the knob and you're up or down a semitone in tuning. Just the job for dropping to D Standard instantly. |
I've put the brown effects into my Boss BCB-60 board. Note the two adapters - ACA top left, PSA adapter top right:

Most of the other pedals are in a Boss BCB-90X board:

To say I'm disappointed with it would be an understatement. It may look neat, but running the power and connecting cables under the foam pedal locator is a nightmare. There aren't even any connecting cables supplied unlike the BCB-60. I found some excellent connecting cables on eBay. The standard Boss pancake cables are great, but they aren't long enough to reach the bottom row of pedals from the top. The BCB-60 had easy to push out holes for the pedals. With the BCB-90X, you have to cut these out yourself which doesn't give such a clean finish. Given how much this board costs, Boss could really have made a far better job of designing it.
I was experimenting with a BCB-30 board for gigging:

At my first festival gig, I managed to step backwards onto my tuner and hence turned my signal off. I thought that putting it in a BCB-30 would stop this happening. I'd also had an issue with running out of battery (always carry a spare!) so running the pedal from the mains would take care of that. The Tuner is currently joined by a compressor and the empty space was for waiting for a suitable Chorus pedal to come up on eBay. The same criticisms with cable runs and cut outs apply with this board as with the BCB-90X.
Conclusion
I have too many pedals. I've managed to get a nice sound with the Octaver, Chorus and Reverb but the only ones I need are on my current gigging pedal board:

This has my wireless receiver, drop pedal and preamp on it, all powered by a single supply mounted underneath the board.
Why wireless? I am always given a confined space to perform in and stepping on the cable from my bass to my amp is always a possibility. Going wireless also gives the opportunity to roam on stage when conditions allow - at festivals mostly.
I bought the preamp due to frustration with the DI socket on my MarkBass amp (which has since been replaced). At several festivals, the sound guy couldn't get a signal from it, but at others it was fine. The preamp opened up new possibilities to get a thicker sound so even though I'm playing through an Ashdown amp now, it'll stay.
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